Welcome to the mini Moog factory!

This new digital experience celebrates synthesizer pioneer Bob Moog's legacy and the recent return of our beloved Minimoog Model D.

Drawing inspiration from ‘90s video games and websites, this interactive experience is designed to give you access to the rich history of electronic music through the lens of the Minimoog Model D. Discover the amazing musicians, songs, stories, and sounds that have shaped generations of music through apps and activities inspired by this iconic synthesizer and the artists who have embraced it.

Each facet of 

 was designed to bring visitors a joyful experience behind every digital door that leads to each new section of the site.

We are grateful to have had the opportunity to partner with multi-disciplinary, independently owned design studio 

 to bring this vision to life. Leading the project was Pentagram’s sound and experiential design visionary 

, who we previously collaborated with on the 

 back in 2016 for that year’s Moogfest.

With a passion for Moog synthesizers and the brand's legacy, Yuri was the perfect partner to celebrate the Model D's cultural impact. He and the hardworking teams at Pentagram and Counterpoint helped create an experience that allows visitors all over the world to discover the deep history and sound of the Moog world.



“Working on this web project for the past two years has been an incredible journey, as Moog has always been my top fascination. Their synthesizers' special sound and beautiful design hold a special place in my heart. I still vividly remember our first discussion years ago where we envisioned a web experience that celebrates the Minimoog Model D. Our goal was to craft a tightly interactive and fun experience that would capture the essence of Dr. Bob Moog and his team’s groundbreaking innovation.

Throughout the project, the collaboration has been tight-knit and extremely enjoyable. We have exchanged numerous ideas on how to make the introduction of this beautiful innovation both fun and captivating. I am grateful to everyone involved in this project for their hard work and dedication.

I invite you to visit the website and immerse yourself in the discovery of the Minimoog Model D—a true testament to the innovation and creativity of its creators.”

 -Yuri Suzuki

Thank you for stopping by to explore our site and story. Enjoy!

Explore the rich history of the Minimoog Model D, the people who designed it, and the impact it's had on the world.

Click the "download" button to build your own Minimoog Model D!

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What's Face Synth? Click the phone here using your mobile device to explore with Instagram!

Explore a collection of some of the most influential songs that feature the Minimoog Model D!

Get the official Minimoog Model D app for your iOS or macOS device!

Listen to my song made on the Mini Moog Factory website.

Share your recording using the links below!

Play your favorite Minimoog sounds, record a song, and share it!

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Please see Moog Music's terms & conditions here:

Sit back and watch the Minimoog in action. Grab your popcorn!

Blame it on the drugs, the drink or just periodically being punched out by the guitarist, but by 1979 Ozzy Osbourne is on his own with no discernible future looking back at him from the mirror. But with the help of soon to be wife Sharon Arden, the Black Sabbath singer was resurrected from the Heavy Metal scrap heap and given the tools he needed to launch a solo career.

Enter keyboardist Don Airey who had previously done guest work on Black Sabbath’s “Never Say Die” album before becoming a member of Rainbow. Ozzy, along with the new guitarist Randy Rhoads were putting his debut solo album in Ridge Farm Studio, a well-known residential studio in South East England. Airey was played a track in progress that was to eventually be called “Mr. Crowley.”

Speaking to RockandRollGarage.com, Airey recalled the brief he’d been given:

“They played me the song and went, “We need some kind of intro.” The thing that was funny was that I had all the keyboards in the control room. And there was Max Norman, the engineer, there. And the band were sitting behind the desk like a judge and jury. I threw them all out and said, “Come back in half an hour and see what I come up with.”

When Ozzy and company returned, Airey played them the results. What they heard was a semi-gothic sweep of keyboards, punctuated by a cathedral like melody from Airey’s Minimoog. Featuring glissandos that ran the entire length of the Model D’s keyboard, the nearly minute long reverb-soaked intro provided the spooky vibe that would permeate Osbourne’s solo image forever more.



Ozzy Osbourne

Mr. Crowley

Jukebox

Welcome to the
Mini Moog Factory!

Ozzy Osbourne

Mr. Crowley

Jukebox

Welcome to theMini Moog Factory!

Welcome to the
Mini Moog Factory!